Cartoon Darkness World Tour EU/UK 2025
In the eight years since Amyl and The Sniffers came together in Melbourne’s sticky pub-rock scene, Amyl and the Sniffers have become masters of balancing power and playfulness. With two critically acclaimed albums under their belt - 2019’s self-titled debut and 2021’s visceral ‘Comfort To Me’ - vocalist Amy Taylor, guitarist Declan Mehrtens, bassist Gus Romer and drummer Bryce Wilson have achieved something unique and remarkable. They are unmistakably “Aussie”, down-to-earth and true to their roots. They are also one of the most exciting young rock bands on the planet.
The band’s live audiences have grown even faster than their reputation, taking them around the world on sold-out tours several times over, playing ever-larger venues throughout Europe, North America and beyond, with recent shows stretching from Mexico to India to Japan. From grassroots clubs shows to major concert halls, the band has become a regular mainstage and headline feature of festivals including Primavera, Glastonbury, Coachella, Green Man, Osheaga, Outside Lands, Best Keep Secret, All Points East and dozens more; and been called up for European and US stadium supports with the likes of Green Day and Foo Fighters. As a live act, the word is well and truly out: if you need a band to decimate a stage, you call Amyl and The Sniffers.
Since the release of Comfort to Me, the band has seen their horizons broaden exponentially in every way. And it’s this attitude - bigger, brighter, smarter, sharper - that’s fuelling their third album, ‘Cartoon Darkness’. Recorded with producer Nick Launay at Foo Fighters’ 606 Studios in Los Angeles, on the same desk that captured Nirvana’s Nevermind and Fleetwood Mac’s Rumours, the latest Amyl offering is full of surprises. Musically, Mehrtens, Romer and Wilson have written The Sniffers’ most diverse album yet. It stretches from classic punk to the glammy strut of recent single ‘U Should Not Be Doing That’ to the stormy balladry of ‘Big Dreams’ (which is a sonic gear shift worthy of the title).
‘Bailing On Me’ is another strange delight, “the weirdest, not-Amyl song we’ve ever done,” according to Mehrtens. “Declan wrote it about a girl and he told me I should write sexy lyrics for it but I just couldn’t do it,” laughs Taylor. “It felt sad to me, like a heartbreak song. It definitely wasn’t giving me horny vibes.”
Fans of The Sniffers’ most pugnacious hits will not be disappointed, with the opening track ‘Jerkin’’ taking their love of swear words to a stratospheric new level. ‘Pigs’ and ‘Motorbike Song’ are as heavy and hectic as any riff the Sniffers have written, while ‘Doing In Me Head’ takes Taylor’s trademark declarative rage in new directions, reflecting her age and experience.
Throughout ‘Cartoon Darkness’, Taylor delves into topics that wrangle with ideas of self and the outside world including the fight it takes not to minimise and shrink yourself in the face of it all. Forthcoming single ‘Chewi